Hearing the Future 2024

Two Concerts; Twenty-Six World Premieres

 

Sunday, April 21 at 1:30 pm (PART 1) | Portland State University, Lincoln Hall Room 75

Fear No Music's Young Composers Project (YCP) provides groundbreaking composition training and mentorship for youth interested in composing as a professional career or life passion. Students grades 5 - 12 train with the region's top professional musicians and composers, developing their new works through a series of workshops and public concerts.

PROGRAM

Raiden Ray — Jungle Song
Lincoln Eames — Futurum est Nonstrum
Michael Mayes — Raindrops
Lex Kornelis — Pyroclastica
Penelope Johnston — An Evening Stroll
Elishiya Crain-Keddie — Serenade by the Starlight
Jacobi Esparza — Crab Suite
Skye Neal — Trio Sonata no. 1 in C major
Alejandro Belgique — A piano trio
Frazar Henry — Altered
Malia Baker — Sustainer
James Lee — Timeout
Elaina Stuppler — Remote

 

Young Composers Project Musicians:

  • John C. Savage (flutes and saxophones) has been compared to Rahsaan Roland Kirk, Jean-Pierre Rampal, Herbie Mann, Noah Howard, Ian Anderson, and Colin Stetson. Savage has performed and recorded with, among others, Esperanza Spalding (for Bienestar Oregon), Cartridge (The Black Heron and the Spoonbill), the Andrew Hill Big Band (A Beautiful Day), Billy Fox and Mark Dresser (The Uncle Wiggly Suite) and releases on PJCE Records (Ekta, Demolition Duo, From Maxville to Vanport, Senses Sharpened). Savage frequently performs with poet Claudia Saleeby Savage as Thick In The Throat Honey, the free jazz trio Krüd, and Lie Very Still, which performs Savage’s compositions influenced by classical composition, improvisation, metal, and a dystopian future. He also performs with The Bundy Band, a twelve-piece New Orleans Jazz influenced group with a distinctly Pacific Northwest flavor. His chamber music group, Re:Soundings Trio, collaborated with NEA Jazz Master Roscoe Mitchell and may be heard on his release, Distant Radio Transmission (Wide Hive Records, 2020). Savage holds a Ph.D. from New York University with emphases in flute performance, improvisation, and music theory. He teaches both at Reed College and Mount Hood Community College. www.johncsavage.com

  • Heather Mastel-Lipson began playing the violin at age seven. Since then she has performed in music festivals in the United States, Europe and South America. She is a regular member of Portland Opera and Oregon Ballet Theatre Orchestras, and has performed as concertmaster of several ensembles including the San Francisco Conservatory Orchestra, Eastman Philharmonia and the Brainerd Chamber Orchestra. Heather has performed with the Reno Philharmonic and the Oregon Symphony Orchestra. She is a member of the Northwest Piano Trio, and is in a violin and guitar duo giving concerts with both ensembles around Portland and the Bay Area. Heather enjoys teaching her private students, coaching chamber music and is a faculty member at Young Musicians and Artists Camp (YMA) at Willamette University. Heather holds a bachelor of music degree from the Eastman School of Music and a master of music degree from the San Francisco Conservatory of Music. Heather lives in Portland with her husband and their three children.

  • Cellist Heather Blackburn has been lauded for her “burnished tone” (The Oregonian) and for “her gorgeous tone and playing unerringly in tune” (Seattle Post Intelligencer). Heather was appointed to 4 one-year positions with the Oregon Symphony and has performed as guest principal cello for Portland Opera, Symphony Tacoma and Tulsa Symphony. She has given Oregon premieres of works by Joan Tower and Esa -Pekka Salonen, has been a featured soloist with Portland Symphonic Choir, and has performed and recorded with Pink Martini, Portland Cello Project, soul singer Ron Artis and indie band Other Lives. Heather currently teaches cello and chamber music at George Fox University and University of Portland. Heather was invited to perform a solo recital featuring music by Amy Beach as part of the “Women in Music” series at Chadron State College, NE in March. Upcoming concerts include a livestream with cellist Diane Chaplin of works by Giovanni Sollima, a recital in her home state of New York and a solo performance with the University of Portland Orchestra.

  • Dr. Stephen Lewis is a composer, pianist, and conductor living in Portland, Oregon, whose music inhabits the terrain between sound as physical sensation and sound as signifier of culture. Hailed as “delectable,” with a “constantly shifting sonic world [that] proved fascinating and effective,” Stephen’s chamber opera, Noon at Dusk, was premiered at UC San Diego in 2016. He has been commissioned by or written works for the Delgani String Quartet, Cascadia Composers, the Wellesley Composers Conference, red fish blue fish, UC San Diego's Palimpsest ensemble, the Diagenesis Duo, Gnarwhallaby, Trio Kobayashi, Aurora Borealis, and a number of individuals. Stephen has performed in solo and ensemble concerts at Miller Theater in New York, Severance Hall in Cleveland, the Walt Disney and Zipper Halls in Los Angeles, and at smaller venues throughout the United States. Stephen maintains a private studio of piano, composition, and music theory students. He completed the PhD in Composition at UC-San Diego in 2015, where he studied with Rand Steiger. Subsequently, he completed the DMA in Contemporary Piano Performance in 2017, where he studied with Aleck Karis. Stephen is a graduate of the Oberlin Conservatory of Music, where he majored in piano and composition.

  • Dr. Joel Bluestone is a Music Professor Emeritus at Portland State University, where he was head of the percussion department until he retired last year. He is the Co-Founder/Percussionist with the Northwest premiere contemporary new music ensemble, Fear No Music. In 2016, after 25 years, he retired from performing with the group, but still remains on the board of directors. However, he continues to perform for YCP which is dear to his heart.

  • For his work with young composers, pianist and conductor Jeff Payne was awarded the 2022 Musical Hero Award by the Metropolitan Youth Symphony. He founded Fear No Music with percussionist Joel Bluestone in 1992, and has performed hundreds of concerts with the group across the United States. During his tenure as Artistic Director for the group he was responsible for presentation of twenty World Premiere or American Premiere performances of works by Pacific Northwest composers. In 1997 he founded the Young Composers Workshop, and continues as its Director, overseeing the development of aspiring young creative minds around the region. The 25tth anniversary of the Young Composers Project was featured in articles in the Oregonian and Oregon Arts Watch.

    Payne’s complete performance of Messiaen’s “Vingt Regards sur l’Enfant Jesus” was named one of the Ten Best Concerts of the year by the Oregonian. Heralded by the Boston Globe as “a pianist of chameleon abilities,” Payne has performed on WGBH National Public Radio in Boston, KING radio in Seattle, All-Classical and KOPB radio in Portland, at the Museum of Fine Arts in Boston and the Norton Gallery in Palm Beach, at the Seattle Spring Festival, at Eugene's Music Today Festival, the Ernest Bloch Festival, and the Oregon Bach Festival. He has performed as soloist with the Vancouver Symphony, and the Yaquina Chamber Symphony. Payne holds a law degree from Lewis & Clark Law School and is a Senior Assistant Attorney General with the Oregon Department of Justice.

Biographies & Program Notes

Raiden Ray

Jungle Song


BIOGRAPHY

Raiden Ray is in seventh grade at Athey Creek Middle School. His parents are Xochi Ray, a visual artist, and Eliza Jane Schneider, a performing artist. They have had 5 different cats over the years. Raiden is currently participating in Middle School Musical and he is generally involved in all things musical theatre. He makes murder mystery birthday party escape rooms, and filmed six episodes of a series called Super Mafia Bros., a mashup of The Godfather and Super Mario Brothers. His composition instructor is Nicholas Emerson.

PROGRAM NOTES FROM THE COMPOSER

My piece, “Jungle Song,” is inspired by “Trust In Me” from the Jungle Book.  The flute and violin set the pace for the mysterious nature of the jungle.  The piece is interrupted by a lightning strike, setting a fire and causing all of the woodland creatures to go into a tizzy.  I use a chromatic violin line reminiscent of Mary Poppins to simulate disorder and chaos. 

Lincoln Eames

Futurum est Nonstrum


BIOGRAPHY

Lincoln Eames is in sixth grade at Winterhaven K-8 STEM Focus School, where he enjoys spending time running around in PE, and doing complex types of math. Outside school, he likes to spend time gaming with his dad, Anthony, and reading with his mom, Jen. He is an avid track and cross country runner, a chess player, and a mathematician. His chess team placed third in the Oregon youth Coe-ed Team Championship, and he paced first in youth running races. His piano and composition teacher is Sarah Collins, who has been teaching him for over 6 years.

PROGRAM NOTES FROM THE COMPOSER

My piece this year is Futurum Est Nonstrum (The Future is Ours). It follows the protagonist of a fictitious video game based off of the Legend of Zelda series. I tried to encompass the open world and infinite playability of the previous two games in this series. It is a direct sequel to my previous piece, A Forgotten Nation. Though it follows a strict forward form, with a couple of repeated sections, I hope the music itself gives the feeling of a vast landscape to explore.

Michael Mayes

Raindrops


BIOGRAPHY

Michael Mayes is a high school junior in a home school program, Oasis. His family is comprised of his mother Rhiannon and two siblings, his older sister Metta and his older brother Merle. He plays percussion and viola, and besides Young Composers Project he also participates in orchestra and cross country running. His teachers are Phylicia Morris (percussion), Gordon Rencher (also percussion) and Mitchell Nelson (music theory).

PROGRAM NOTES FROM THE COMPOSER

My piece is called Raindrops. It was inspired by my duck, Jack, and written in the style of Nordic folk music. It is in an ABA form with the A section representing Jack playing in a puddle and the B section represents Jack waddling to the next puddle.

Lex Kornelis

Pyroclastica


BIOGRAPHY

Lex Kornelis is a junior at Northwest Academy; her parents are Nathan Kornelis and Lolly Ward. Lex and her sister, Clara, both attended Interlochen Arts Camp, where Lex studied piano. Lex participates in NWA’s afterschool theater program and performs musical improvisation, both as an actor and piano accompanist, and is completing the Eagle Scout rank in the Scouts of America. She studies locally with piano teacher Nancy Stone and has finished level 10 of Syllabus and received multiple Gold Cups from OFMC’s Junior Festival. She studies composition with Ryan Francis.  Lex has orchestrated a song for Jimmie Herrod’s Just Jimmie concert, composed an outro for the Scriptnotes podcast, and plans to pursue film and video game scoring. Lex’s previous YCP piece, “Carnival,” was chosen for NFMC’s Valentin Western Region Junior Composers and won an OMTA Honored Composer award.

PROGRAM NOTES FROM THE COMPOSER

“Pyroclastica” expresses the anxiety inherent to seeing a volcano. Even if it’s dormant, one can never feel fully safe, knowing that it someday may explode. “Pyroclastica” is therefore full of dissonance and uncomfortable chord progressions, keeping the listener on edge until it eventually resolves, bringing calm again.

Penelope Johnston

An Evening Stoll


BIOGRAPHY

Penelope Johnston is in sixth at Cecile Trost Elementary, a Spanish/English dual-language school. She lives in Canby with her parents, Dustin and Julie, her little brother Malcolm, and her little sister Wini. When she’s not composing new tunes or noodling on the piano, Penelope enjoys playing video games, reading, and hanging out with her friends. In addition to being fluent in Spanish, Penelope is a Bilingual Battle of the Books champion several years running. She studies piano and voice with Jocelyn Thomas.

PROGRAM NOTES FROM THE COMPOSER

My piece is called “An Evening Stroll.” It is a jazz tune in D major. The “walking bass” part performed on cello throughout is meant to feel like the rhythm of walking, as is the pattern of the snare drum. Discordant chord patterns midway through the piece imitate the sky getting darker, and the piece resolves when the walker is home safe.

Elishiya Crain-Keddie

Serenade by the Starlight


BIOGRAPHY

Elishiya Crain-Keddie, cellist and composer from Vancouver, is a junior at the Vancouver School of Arts and Academics. This is her second year in Young Composers Project, and she was awarded an honorable mention for the Luna Composition Lab program, and received first place for her String Quartet in G Minor at the WSMTA state competition.   A duet was workshopped and will soon be performed by students of the Juilliard School via the NowBeat Project.  She has been commissioned by Portland’s Metropolitan Youth Symphony, and a piece she composed with five other composers, “Music for an Imaginary Cartoon,” was performed by the Oregon Symphony in 2024.  In 2023, she participated in a master class with the Bang On A Can Ensemble. Elishiya’s work takes inspiration from a range of classical composers, namely those from the turn of the 20th century -- like Sibelius, Stravinsky, and Dvořák- as well as great film composers like John Williams, Hans Zimmer and Bernard Hermann. In addition to her love for composing concert music, Elishiya views film composition as a crucial medium that has kept classical music in mainstream discourse during the 21st century, and she would love nothing more than to be the second (or third, or fourth, or—hopefully!—tenth) woman to win the Oscar for Best Score. Aside from composing, Elishiya also enjoys doing math, drinking boba tea, playing cello in her schools top two orchestras and visiting Disney theme parks with her parents Jeffrey Keddie and Karly Crain and younger sister Lydia Crain-Keddie.

PROGRAM NOTES FROM THE COMPOSER

My piece is entitled “Serenade by the Starlight.” Fusing the aesthetics of great, Romantic-era classical composers with those of modern romantic ballads, this piano trio employs dramatic and emotional melodies, sixteenth-note counterpoint, syncopation, strict tonal harmony, and multiple instances of modulation to take listeners on a beautiful whirlwind journey through the cosmos- all from the perspective of two young lovers, lying together on a moonlit night, their hearts appearing deeply entwined as the constellations that surround them.

Jacobi Esparza

Crab Suite


BIOGRAPHY

Jacobi Esparza is a sophomore at Tualatin High School. This is his first year in YCP.  He has a little sister and 2 dogs, and his parents are Errin Esparza and Genaro Esparza Jr. Jacobi enjoys writing stories, playing video games, and reading books. He is a percussionist in his school band, won most improved in his freshman concert band, and has been taking classes for several instruments at Youth Music Project for many years. His composition teacher is Nick Emerson and his band teacher at school is Reggie Stegmeier.

PROGRAM NOTES FROM THE COMPOSER

My piece is a 7-movement mini-suite based on a story I wrote about a guy who gets turned into a crab. Suburban Lullaby represents the guy’s boring life, using a simple chord progression and a predictable melody. Shellfish Shuffle shows the guy going to the beach, and it’s abruptly interrupted by a ratchet, showing him accidentally stepping on a crab. King Crab Cadence has aggressive chords and a quick woodblock pattern, showing the scuttling of hundreds of crabs along the beach as well as the rise of the majestic King Crab. Crustacean Kingdom has a grand yet gentle feel, with the reveal of the underwater kingdom of the crabs. Seagull Scurry is fast and all over the place, showing our character as a crab, ducking and weaving to avoid an attacking seagull. Dawn of the Final Day is a menacing transition to the final movement, Flip-Flop Finale, where our main crab has to avoid a stampede of beachgoers in a powerful march in A-minor.

Skye Neal

Trio Sonata no. 1 in C major


BIOGRAPHY

Skye Neal is a ninth grade student from Portland. This is her sixth year participating in the Young Composers Project. She studies composition with Dr. Mátti Kovler, and also plays piano, violin, and sings. Her compositions have earned recognition from Music Teachers National Association, Oregon Music Education Association, National Federation of Music Clubs, Tribeca New Music, and the Young Women's Composition Competition. She’s been honored to hear her pieces performed by Fear No Music, Portland Youth Philharmonic, Metropolitan Youth Symphony, The Musical Offering, Pacific Youth Choir, and Tualatin High School. When she isn't composing or making music, you might find her rowing on the Willamette River or bird-watching in a local park.

PROGRAM NOTES FROM THE COMPOSER

My piece this year is a sonata for flute, violin, and cello. I love writing sonatas because of how the constrained structure unlocks a whole world of creative freedom. The sonata begins by jumping directly into the exposition, with a very jubilant main theme. Afterwards it transitions to a softer, more peaceful second subject. The melody trades between the flute and the violin before diving into a quick development section. Following a long crescendo passage, the main theme returns to round out the piece. 

Alejandro Belgique

A piano trio


BIOGRAPHY

Alejandro Belgique is in seventh grade at ACCESS Academy. He plays piano and oboe as well as composing. He has won multiple composition competitions, including the 2020 OM/NI competition and the Oregon Federation of Music Clubs’ Junior Composers Contest, Class 2, of 2021 and 2023.  A new work for orchestra will be premiered by the Metropolitan Youth Symphony this spring.  He likes to read, play Minecraft and Cities: Skylines, and build stuff with LEGOs and K’nex. He is principal oboe and English horn for the Portland Youth Conservatory Orchestra. His composition teacher is Michael Johanson, his piano teacher is Malou Johanson, and his oboe teacher is Karen Wagner.

PROGRAM NOTES FROM THE COMPOSER

A piano trio is a piano trio featuring several independent themes which interrupt each other and are interrupted at occasions.

Frazar Henry

Altered


BIOGRAPHY

Frazar Henry is an 18-year old composer/pianist, who synthesizes strong narratives (from classical to speculative to philosophical) with contemporary sensibilities in compellingly modern music. His works have been described as rich, haunting and—sometimes—humorous. Frazar’s music has been played across the country—from Portland Oregon’s Metropolitan Youth Symphony to Florida’s Fort Myers Symphonic Mastersingers. Frazar’s been honored with numerous awards for his work, most notably winner of the ASCAP Foundation 2018 and 2016 Morton Gould Young Composer Awards. He recently received 1st Place in the 2022-23 Webster University Young Composer Competition, earning 2nd Place the previous two years.

PROGRAM NOTES FROM THE COMPOSER

Altered began as a sonic experiment: I was playing around with a digital synthesizer, using its wavetable engine to generate bizarre sounds. After trying a variety of random ideas, I decided to find out what it would sound like if used a jazz sample as the wavetable. That’s when I received the inspiration to use my synthesizer to stretch and mold a recording of Ruby my Dear by Thelonious Monk (the version with John Coltrane on sax), then orchestrate the result. The A section is a microscopic section of Ruby my Dear deranged. Then, the B section of Altered simultaneously diverges in two directions: 1) a granulated version of Coltrane’s sax dominated in my piece by the saxophone but introduced by the violin; and, 2) a Monk chord progression pursued by the violin, cello, and piano. The long descent—which begins in the B section—returns to the opening stasis, ending where it began, having reconciled the two elements.

Malia Baker

Sustainer


BIOGRAPHY

Malia Baker, a senior at Tualatin High School, is a talented musician with a passion for music. As a cello player, she is a dedicated member of her school's chamber orchestra, which achieved state recognition last year, and also contributes her skills to the Metropolitan Youth Symphony. Beyond her musical pursuits, Malia enjoys embarking on adventures with friends and leads the Fellowship of Christian Athletes club at school. Under the guidance of her mentors, cello instructor Anne Soto and orchestra teacher Reginald Stegmeier, Malia has always loved music and is now looking forward to pursue her career at George Fox University. There, she will major in music education and will also pursue a minor in youth ministry.

PROGRAM NOTES FROM THE COMPOSER

Titled “Sustainer,” my composition follows a simple A-B-A structure. Inspired by themes of religion and life, the piano acts as a constant presence, much like God in my life. While the other instruments play lively melodies, reflecting the ups and downs of everyday life, the marimba adds a surprising twist in the B section. Despite this change, the piano subtly adapts yet is still supporting, representing different life seasons. Finally, returning to the main theme, the piece concludes with a deeper sense of meaning, symbolizing growth and transformation.

James Lee

Timeout


BIOGRAPHY

James Lee is 16 years old and a Sophomore in Wilsonville High School. He lives with his parents, Lisa and Chang, his brother Daniel, and his dog Toby. Besides the Young Composers Project, he plays piano in his high school jazz band, and is a part of the Untapped Trio, which performs at the West Linn Ale and Cider House. He has studied classical for around ten years, with Mrs. Heidi Evans and has taken composition lessons with Jennifer Wright for nearly 3 years. For more active hobbies, he has done Taekwondo since he was little, and is Third Degree Black Belt. He also likes to play golf and tennis with his family. 

PROGRAM NOTES FROM THE COMPOSER

For this piece, I wanted to explore new, irregular time signatures. The song alternates from 5/4 and 7/4 most of the time, and I adapted some irregularity into the phrases to create a sporadic melody. I also wanted to dive into a more Latin, straight 8th feel, since I’ve mostly written in a jazz swing feel. With this song, I tried to attempt writing in a new style, and to avoid my natural composition instincts. I mostly recognize this piece for it being my first 5/4 and 7/4 song and it helped me gain a new perspective on “time” in music, which is why I named it “Timeout.”

Elaina Stuppler

Remote


BIOGRAPHY

Elaina Stuppler is a high school sophomore in Lake Oswego. She plays trombone in her school’s jazz and pep band and is Co-Principal trombone of the Portland Youth Philharmonic. Elaina participates with the Metropolitan Youth Symphony and plays tuba in her high school wind ensemble. All Classical Radio Station has selected her as their 2024 Young Artist in Residence. Currently, she studies music with Daniel Hartley and Grace Waites. When Elaina is not composing, you can find her performing with her dance team or mountain biking. She is so grateful for the Young Composers Project for giving students a creative platform!

PROGRAM NOTES FROM THE COMPOSER

“Remote” is a composition highlighting the feelings of isolation and contemplation when adjusting to a new environment. The song starts and ends with lively and upbeat melodies, transitioning to a slower-paced interlude in the middle. Through the juxtaposition of winds, strings, and percussion, “Remote” inspires a journey of emotional exploration and awakening.

A special THANK YOU to Ronni Lacroute for sponsoring the 2023-2024 Fear No Music concert season.

Fear No Music is also supported by grants from: Reed College, New Music USA, Oregon Arts Commission, Multnomah County Cultural Coalition, and Regional Arts and Culture Council.

And a heartfelt thank you to ALL our fearless donors…